Mirror, mirror, on the wall, who’s the athiest of us all?

The sleep of reason produces monsters.

Always remember that the famous Goya quote has at least two meanings. Do the monsters arise because reason is asleep, or are they dreamed up by reason in an attempt to control the world?

Thirty years ago, I became an atheist. I remember it well. I was walking along a Seattle street when, quite unexpectedly, the gods flapped away from my shoulders in search of a more comfortable roost. Up to that point I had been an Anglican for a short time as a pious schoolboy, metaphysical speculator extraordinaire as a hippy, Soka Gakkai Buddhist for 20 years, and, while drying out from the preceding, enjoyed a sampler menu of all the pagan groups in Seattle. Of this last, the OTO was the tastiest: the Aleister Crowley crowd, the Great Beast whose number is 666, the man who scandalised Europe and America in the first half of the 20th century. Or, as I like to think of him, Uncle Aleister. We had Gnostic Mass every month in a rented Freemason Lodge, all very High Church with plush velvet fittings and a lot of impressive ritual. In addition, I was fascinated by mythology and the stories religions tell. I even have a GCE in Religious Knowledge, and like Bertie Wooster, I’m very proud of that accomplishment.

So, there I was, free from all that, and wondering what to do next. The obvious thing was check out the Richard Dawkins online forum, prepared for a bracing feast of reason. Alas! it was not to be. I found instead levels of fundamentalist bigotry and irrationality, the like of which probably hasn’t been seen since the Inquisition. To the Dawkinsites, religion is inherently evil, all religious groups are monolithic blocks of believers absolutely wedded to the worst doctrines anyone can ascribe to them, and only atheists are rational, ethical and intelligent. Straw men all. I turned my back on them as well and contented myself with simply not believing, while still being fascinated by religious belief.

Moving on 30 years, and here I am in Scotland, doing an Arts and Humanities degree with the Open University. The module is organised around different themes, each of which is studied through one or more academic disciplines, like History, Literature, Classical Studies, and so on. One theme which brought me up short was Mary, mother of God. I discovered that in Religious Studies, dogma is only a small part of the subject, and you don’t have to believe it to study it. The rest is about the history, institutions context, practices, objects, and above all the stories that believers tell about their faith to create ‘life-worlds’. The sociology, you might say. Armed with this caveat, I proceeded warily, only to be halted in my tracks again by Our Lady of the Underpass, a Marian apparition in Chicago, created through the leaching of salt stains in an underpass. The module treated this perfectly seriously but the unregenerate Dawkinsite remnant, like an irritating piece of grit inside me, kept crying out, “It’s a salt stain!” So I hurried through the materials and didn’t answer that question in the essay.

That was last autumn. This winter we had Christianity and its material culture, focusing on Canterbury Cathedral, Dunfermline Abbey in Scotland, and John Wesley’s New Room in Bristol. it looks at material culture, buildings for example, and how they interact with beliefs, practices and events to create meaning. This was my way into religion as a subject, guided by David Morgan, an art historian used in the chapter. He says:

As a field of inquiry, material culture assumes that meaning does not inhere in things, but is activated by them. Meaning is a complex process of interaction in which people, objects, environments, histories, words, and ideas take part.

You might say it was a materialist epiphany that allowed me to think about religious belief without that slightly icky feeling that I’m letting the atheist side down. So I answered the essay question on Canterbury and enjoyed the immersion. It might be a foetid heap of dingo’s kidneys for all I know, since it hasn’t been marked yet, but I’m happy to find myself in a subject area I enjoy thinking about and might do more work in. We were asked to read an online excerpt from a book about pilgrimages which I found so interesting that I bought the book online.

Pilgrimage: A Very Short Introduction, by Ian Reader, is a brief cross-cultural overview of pilgrimages around the world, why people go, how they do it, what they get up to, full of quirky details. Very enjoyable. As the News of the World used to say of itself, all human life is here. No absurd Dawkinsite straw men, just people being themselves. This was another epiphany. Most people go on pilgrimages for a huge variety of reasons – religious and secular – without realising it. I once traveled from Seattle to Dundee in order to touch with my own hands the manuscripts of William McGonagall, Scotland’s worst poet and one of my heroes. I can now say I’ve been blessed by the spirit of bad poetry. They’re held in Dundee Central Library which was weirdly at the top of a shopping mall. I also followed in the great man’s footsteps around his familiar haunts in the city. At the same time I combined it with a holiday in the Lake District, where I once lived. Pilgrims combine all of these elements and many more.

I feel like a changed man, as if I had been on a pilgrimage of the mind. I am Legion, chock full of ideas. Where will I go next?

The Space Merchants

This horribly prophetic science fiction novel was written in 1952 by Frederik Pohl and C. M. Kornbluth. America was applying its massive economic potential to consumer production after WWII and the Korean War, generating an economic momentum that would change the country forever. The novel projects that momentum into a future where capitalism is a ravening monster, an insane Moloch eating its consumers. As a religion, it also partakes of the anti-communist hysteria of the McCarthy era.

The protagonist, Mitchell Courtenay, is a ‘star class copysmith’ working for Fowler Schocken, one of the great advertising agencies that sells the American dream. The government is in its pocket and businesses rely on its expertese to sell their products. Fowler Schocken’s bitter enemy is Universal, almost as successful but considered low class. The latest campaign, which they stole from Universal, is to sell mass emigration to Venus, an uninhabitable planet they hope to terraform sufficiently for human life. There’s a rocket ship under construction and all it needs are gullible passengers. Does this sound familiar? Mitchell Courtenay is the lucky guy chosen to head the project. Of course, a major part of his brief is to make sure that the colonists continue to love and consume all the brands they’ve been brainwashed into loving on Earth.

In fact there is a very good reason why people have to leave the Earth. Rampant capitalism and overpopulation has so polluted the environment that soot plugs are necessary to survive outside hermetically sealed buildings, where people shelter from the acid rain. Water is rationed. All the oil has gone. Weirdly, sustainable energy – solar power – is standard because there’s nothing else. Instead of cars there are rickshaws for the wealthy. Even a star class copysmith can’t afford anything bigger than two small rooms with fold-down furniture, and the Fowler Schocken boardroom measures a princely 10′ by 12′ . In a word, enshittification.

Inevitably, there is a reversal of fortune and Mitch slowly comes to understand the life of the indentured workers at the bottom of the corporate heap. Despite this radical critique of capitalism, the novel is quite old-fashioned in its portrayal of gender roles. Even that is prescient, given the Trump regime’s rollback to the 1950s. We have a classic romantic resolution, though his love interest, ex-wife Kathy, is not all she seems.

The Space Merchants is surprisingly contemporary, ironically eviscerating end stage capitalism through Mitchell’s fervent, fundamentalist belief in its rightness. Fowler Schocken himself is given to telling stories about the triumph of his profession which are a masterclass in manipulation. Pohl and Kornbluth probably never envisaged anything like the techbros, so in this world it’s the ad agency copysmiths putting a chokehold on the planet and human rights.

Which begs the question, who is writing now about Earth’s future under the techbros? Let me know in the comments.

Spring is sprung, the blog is riz (again)

Every Spring I think about resurrecting The Belated Leap, after getting frustrated with the mere 500 characters available on https://en.wikipedia.org/wiki/Mastodon_(social_network). Then I dink about and realise I’ve forgotten how to do the most basic things on WordPress, like shortening the link title to something manageable. Then I start worrying about whether I want to faff about relearning all this stuff or if there’s enough time in a day to make regular posts.

But I might as well do what I can today and hope for the best. It’s been good so far. After the brass monkey weather of the last 100 years, today is bright and sunny. I feel energised. In honour of the Spring Equinox I had my regular Number 3 all over at Top Cut.

On the way I discovered a new tattoo parlour. I’m not in the market for their services but the fact it’s there cheers me up no end. It suggests there’s still life in this fading Scottish lochside town. I’m in the library right now looking out at palm trees and wondering how they ever got to this place.

Well, this is encouraging. I can add photos, blether to my heart’s content, and no doubt find my way back into the innards of WordPress. That will do for today, a lick and a promise to come back tomorrow.